Post-disaster abandonment and remembrance

Seismic Memory, Future Archaeology looks at layers of human presence, human withdrawal, and geological processes around the earthquake-damaged and abandoned, yet functional lighthouse at Ponta dos Rosais on São Jorge in the Azores archipelago.

The work is based on fieldwork and appreciation of the lighthouse as a post-disaster landmark and a valuable ecosystem. A procession is framed through the landscape as one approaches the lighthouse, amplifying its significance as a landmark while highlighting its seismic vulnerability. The perimeter wall of the lighthouse becomes the boundary of the main project site, and is left to break up along future fault line movements. To counter the angular monumentality of the lighthouse structures, material lines are imposed in the landscape, creating new sight-lines. The lines mirror but distort the materiality of the place, being made out of site-specific plants, pyroclastic gravel, and broken-down concrete. Consequently, the project is an experiment in full material circularity and hyper-local, low-carbon interventions.

The lines cut through the buildings, challenging their monumentality, encouraging vegetation to enter and accelerating the entropy of the deteriorating structures. Orienting one’s gaze first to the seismic ground and then towards the horizon, the site will serve as a viewpoint to reflect on the specificity of location and as an anti-monumental site for seismic remembrance. It is a project designed to disintegrate and become a site of future archaeology, revealing meaningful layers in the landscape and the careful balance between human presence and abandonment.

plan drawing of existing conditions
An analysis of the site showing structures, flora, and topography
Photographs of plants and materials on site
Photographs of plants and materials on site
1:2500 plan of site, showing processions and geological processes in the landscape
1:2500 plan of site, showing processions and geological processes in the landscape
Plan drawing in rust and white
Proposal showing site after lines have been cut into the landscape and through the lighthouse structures
Visualisation showing pyroclastic lines, perimeter wall, and the Pico mountain
Lines of pyroclastic gravel orient one's gaze from the seismic ground to the sea and surrounding volcanic islands
Diagram showing circularity of materials on site through sketches and material vignettes
The project is based on full material circularity, reconfiguring materials on site to create new lines and layers of meaning
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