Project description

This project is driven by a motivation rooted in global contexts and the urgent issues that demand our attention in this century. In “Upheaval,” Jared Diamond identifies key risks our world faces today: the proliferation of large nuclear weapons, escalating global inequality, the consequences of climate change, and the depletion of essential renewable resources like forests, fisheries, soil, and freshwater. This unit’s exploration revolves around this overarching curiosity, initially focusing on the specific realm of timber industry in the UK context. As we delve into the project site in Leith, our exploration dynamically shifts between the risks associated with inequality and the depletion of renewable resources.

Throughout the project, the concept of ‘dust’ serves as a central pivot, which allowed me to delve into the thematic aspects of ‘deprivation,’ ‘surplus,’ and ‘prolongation.’ By embodying ‘dust’ through the physical form of sawdust, we give substance to both scarcity and abundance. These three themes encapsulate the project’s origins and trajectory, transitioning from the identification of elements marked by ‘deprivation’ and ‘surplus’ to the pursuit of ‘prolonging’ both aspects. Hence, the project bears the title “Search for Prolonged.”

When it comes to decision-making in architectural projects, there are no right or wrong answers. The specificity of our choices can range from a comprehensive understanding of their implications across various dimensions and contexts to adherence to architectural conventions without fully grasping their underlying context and their implications. It is vital to acknowledge that the construction industry often generates outcomes that neglect significant environmental, economic, and social implications on a large scale. This project aims to move away from the notion of a building as a singular entity, which oversimplifies diverse materials and their traces into a conceptual object. Instead, it attempts to comprehend architecture as a broader process and cycle, encompassing the interconnectedness of various factors.

In the literature on the carbon implications of timber buildings, the transition to using more timber in our built environment will make positive changes. However, this should not be understood as a simple mechanism of simply replacing concrete and steel with timber without understanding the complex relationships between timber and forests, forests and timber architecture, and forests and society. The reason why this project prioritizes timber is not that timber is messianic, and the unit is about timber, but to try and understand the implications of specifying timber on the building tectonics and the environmental and social ecology. 

project overview
Project Overview
Material Culture of Timber : fixed-scale research on forestry and timber industry

A collective research of forests and timber production in the UK was carried out in the preliminary stages of project development. First-hand field research in the Cardrona Forest and the Lockerbie Sawmill served as the source for understanding the complex and unprecedented material culture of timber. Primarily through observation with the aid of further research, a series of drawings were produced to elucidate common themes that intersected the two locations. These themes were depicted in a series of site map drawings conforming to a fixed scale of 1 to 2500, which gave control in understanding the scale of movement and landscape involved, which in turn contributed to the mapping of carbon flows within the timber industry. The drawings served as threads of information about forests and timber, and they did so more effectively through the way they were layered and read. The drawings are layered on each dedicated site, and the layered site drawings are put side-by-side, which are then topped with the carbon flow dawing that connects the two sites. 

 

cardrona isometric
The Cardrona Forest, Scottish Borders
Site Investigation

The site investigation necessitated a transcalar research approach, encompassing diverse themes at the appropriate scales. For instance, conducting forensic research on the existing surfaces and building footprint demanded a close-up examination of the site, while analysing the food flow and historical accretion of the site required a broader perspective beyond the site boundaries.Our group focused on collecting as much information as possible which would eventually help the understanding of the site and thus the precision of project programming and design. From a measurement of an existing cobble stone the existing fabrics are observed at various angles and scales. The site of John’s Lane has very dense historic layers overall. The question of why the building is sitting awkwardly in the middle of the site could partly be answered through the forensic historical research of the site. The archaeological finding of the historical fort’s outline which sits right onto the mews building’s outline hints that the fort might had been perceived as a trusty foundation for the building. As much as the site holds valuable historical accretions, the project should take this into consideration for disassembling and demolishing of the existing fabrics. Buildings of John’s Lane were designed for the Industrial Leith - warehouses, stores, and stables. Today, the main industry of Leith has changed to creative businesses such as restaurants, studios, etc. Leith today has the highest Micheline star restaurants concentration in the UK outside London. 

site footprint
SITE DRAWER

Making the physical site model was a big part of understanding the site. We made the model in a fragmented manner using standardised timber plank collected from the skip on the site. The curiosity of how the standardised timber dimension would dismantle and re-shape the urban fabric resulted in the fragmented site model. The flexibility of the model enabled viewing the site at various angles. The second exercise of making the 'drawer' for cataloguing collected materials from both the site visit and material testings showcases different plaster mixes & wood surface finishes in the search for possible site model textures and appearances. The design also enables 'pulling apart' the site across the key section highlighting the impermeability created by the existing clustered building arrangement.

site model 2
3
cabinet open
REGENERATIVE COPPICE SHED

The small scale of this exercise (20sqm) encouraged me to work with the raw form of broadleaf coppices found on-site in developing the roof frame of the structure. The main frame of the structure was influenced by a previous precedent study that utilized different variations of mortise and tenon joints. Despite the short timeframe, the design process prompted several considerations: How will the structure be built? Which materials will be used? How will the materials be sourced, transported to the site, and lifted? Working with coppice had a significant impact on how I approached roof design compared to more standardized materials. I had to use shorter spans to flatten the roof frame for a secure attachment to the corrugated roof sheet, as longer spans would increase the overall curvature and irregularity of the coppice roof frames. The shed design prioritizes the use of locally sourced coppices for its specific purpose. The structure is designed to be versatile, serving various needs such as tool storage, food drying, produce sorting, resting, composting, and water collection.

 

coppice
POST-TO-STONE

The simple tectonic relationship of the design museum pavilion being placed onto bricks laid on the grass, where nothing anchors the structure but the structure's weight, guided me to further delve into the traditional timber post-to-stone foundations. The exploration was conducted in two phases- the first was done by hand (traditional method), and the second was done by the computer (phographic scan and CNC milling). The purpose of this side-by-side exploration was partly to investigate the role of digitalisation in architectural crafting but more to gain insight into the practicality of adopting such typology in design, with acknowledging its environmental and aesthetic benefits, through more than one option available in the contemporary setting. The ‘making’ gave a comparative understanding of the two methods for making the same imagined form. Below illustrates the comparative understanding in ‘skeching-out’ stone onto timber and in ‘carving’ stone into timber. Two stones were gathered from the tram construction site in Leith. 

As much time was spent carving by hand, CNC technology also requires considerable time for the digital process and waiting for the machine. Therefore, the level of difficulty in creating such a foundation is similar between ancient and state-of-the-art technology. However, the absence of manual labor in the CNC method makes a significant difference, especially when dealing with larger workloads. Additionally, since the data of the stone surface can be stored and stone lasts for hundreds of years, the scanning process is no longer required once the timber rots and needs replacement. 

POST-TO-STONE
PROGRAMME BRIEF: FOOD AND MATERIAL CYCLE

The Food Cycle drawing was revised to emphasize the SIMD index data (2020) and its relation to the program brief. Using a blue color index to represent the least deprived population, the map also highlights two Michelin-starred restaurants and a high-end restaurant within the map's boundaries. The aim of the project's program is to acknowledge the contrasting context of the site—deprivation versus surplus. In this context, surplus refers to the 'wealth' of those who pay forty pounds for an appetizer, but the project's pragmatic understanding relates it to the surplus of food ingredients produced by these restaurants.

The food ingredients in these restaurants undergo a highly selective process, often discarding visually less appealing ingredients, especially vegetables, which are no different in terms of nutrient values and taste compared to the ones they serve. Hence, these restaurants can also serve as a food source for the EKFH, transforming them into food for those in need. While it may seem like 'the rich' feeding 'the poor,' such a view obstructs wise resource management.

Similarly, the project also considers materials in a similar manner to food. The John's Lane site is abundant in derelict stones and timber. When buildings are demolished to make way for new constructions, these stones and concrete slabs often end up in landfills. New buildings typically require new stones or cement casting for load-bearing structures such as foundations, walls, and floors. Again, we are facing challenges of  resources depletion - sustainable and regenerative material cycle for construction should be considered, especially for a project at this scale. 

Programmes:

- Food Hub for EKFH (Food sorting & process, cool and cold storage, fermentation) 

-Collective Accommodations (Flexible learning spaces, community hall)

-Surplus Material Workshop (material workshop, storage)

-Supplementary Structures on EIC site (tool shed/drying shed/sorting shed etc)

PROGRAMME BRIEF expand
Kitchen Section expand
KITCHEN & FERMENTATION ROOM SECTION (A-A) 1:50 @A1
G FLOOR PLAN expand
GROUND FLOOR PLAN 1:200 @a1
GROUND FLOOR PLAN AT A2 expand
GROUND FLOOR PLAN 1:200 @A2
FIRST FLOOR PLAN AT A2 expand
FIRST FLOOR PLAN 1:200 @A2
exploded expand
TECTONIC STRATEGY & IMPLICATIONS OF KEY MATERIAL SELECTIONS ON FOREST AND OTHER RESOURCES
CYCLE 3 expand
Food & Material Cycle Storyboard
M7
M9
M10
FINAL IMAGE
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