Hello my name is Rio Bourke and I am an abstract artist. My paintings emerge from energetic processes that integrate my mind and body, resulting in dynamic and expressive works. I delve into the interplay of colour, form, and gesture, seeking to capture the essence of emotions that manifest during my artistic process, particularly when I enter a state of flow.
Drawing upon my research into psychology and various therapeutic methods, I strive to strike a harmonious balance between conscious and subconscious decision-making, as I find this approach to be the most engaging. I value works that are intentionally unrefined as they possess a raw authenticity that resonates deeply with me.
One of the most fulfilling aspects of my art is the invitation it extends to viewers, encouraging them to embark on their own personal interpretations and responses. I aspire to create an open and inclusive space for subjective engagement, where every individual brings their unique perspective and meaning to the artworks.
Through my artistic journey, I continue to explore the profound connection between my creative process and everyday experiences. It is within this exploration that I discover new realms of self-expression and forge a deeper understanding of the transformative power of art.
‘Site for Sore Souls’ is a series of abstract paintings made on accumulated rugs and off-cut carpet. Essentially, the collection aims to take over a delineated space creating an immersive and gestural installation. The curation of the works is a creative process as selected smaller rugs become parts of a larger composition. The installation has no specific set-up other than it spans the horizontal (floor) and vertical (wall), highlighting the structure and texture of the materials and playing on typical exhibition practice whereby paintings are hung on the wall. I enjoy using carpeting as the base of my abstractions as the act of painting and gestural mark- making establishes them as works of art rather than decor.
The title plays on the saying ‘A sight for sore eyes’ and was originally ‘A Site for Sore Soles’ which pointed to the action of standing on the carpets. However, replacing ‘Soles’ with ‘Souls’ felt more aligned with my vision of creating a visual sanctuary, for visitors to engage with the works, and a place or ‘site’ for contemplation and introspection. The installation will occupy the floor of a walkway so that visitors can walk on the works, emphasising the functionality of the base material. The carpets used were solely from refuse and so there is soulfulness as well as a physical solefulness to this work.
Material research and experimentation are fundamental to my practice. I also value collaboration in my art-making process, whether with other artists or with the media and tools I use. By working with varied media, grounds, disciplines, and emotional contexts, I constantly seek new ways of expressing myself. My works are purposely unrefined, immediate, and raw in order to highlight the essence of my materials and process. Incorporating found objects and unconventional colours allows me to confront the unknown and shake up my creative experience.
I recently had the wonderful opportunity to collaborate with the Edinburgh Honey Co for World Bee Day. I was commissioned to paint on a hive, which is currently showcased at Jupiter Artland, to raise awareness about the vital role bees play in our ecosystem. It is a privilege to contribute to the global efforts of protecting and preserving our pollinators, reminding us of the interconnectedness between art, nature, and the well-being of our planet.